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Mirona Nicola (Romania)

Mirona Nicola is in her 2nd year of studying Audiovizual Communication at the National Theatre and Cinematography University in Bucharest, Romania. She writes for Film Menu, the cinema magazine edited by the University’s Film Faculty. Nisimazine Cannes 2010 is her first collaboration with NISI MASA.

• Workshops
Cannes 2010

• Why do I write about cinema?
Before I chose to apply to the faculty that I am currently attending, I wasn’t really interested in much more than entertainment when watching a movie, but still there were certain criteria that attracted me to some movies and not others. It was durring the time spent preparing for the admission exam that I started realizing what cinema really is, and how me liking certain films was a result of years of visual culture. Even though initially I was more interested in the screen-writing classes, after the first year my interest shifted towards film analysis (and by extension, towards film history and theory). I find it fascinating how filmmakers manage to “trap” their audiences in a dark room and play with their illussions and thoughts. I also consider film a very versatile art, because it has adapted to different kinds of viewers by developing “subspecies” to please all tastes. Last but not least, writing about films is for me a way of better understanding them ; setting thoughts on paper is a way of organizing them in order to make an analysis possible.

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• List of articles

 Editorials
Editorial Nisimazine Cannes 2010 #6 | 20 May 2010 [en]

 In Focus
Cinéfondation shorts, Speak up! | 18 May 2010 [en]
Critics’ Week shorts, Outcasts and other pariahs | 16 May 2010 [en]

 Interview-Portrait
Ivan Fund and Santiago Loza, Directors of ’Las Labios’ | 19 May 2010 [en]
Prikler, Matyas , director of Thanks, Fine (Slovakia) - Cinéfondation | 2 June 2010 [en]

 Review
Svet-Ake, by Aktan Arym Kubat | 18 May 2010 [en]
The Housemaid, by Im Sang-soo | 15 May 2010 [en]
The Wanderer , by Avishai Sivan | 3 June 2010 [en]



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