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Pressure Cooker by Mark Becker and Jennifer Grausman

USA (2008)  
Pressure Cooker

In the opening sequence of the documentary Pressure Cooker, Mrs. Stephenson asks the newcomers to her Culinary Arts class about her reputation. Her voice then reaches a loud and ominous level: “Whatever you’ve heard, it’s five hundred times worse.”

Throughout an entire school year, co-directors Jennifer Grausman and Mark Becker put their cameras in (and around) Mrs. Stephenson’s classroom at Frankford, a public high school in a deprived urban area of Philadelphia. In room 325 they observe how she trains her students for a cooking competition, in order to win scholarships to prestigious culinary art institutions.

Our compassion initially goes to the pupils, not to the teacher, who bears quite a resemblance to Gordon Ramsey. But along the way you start realising you got it all wrong. Although being incredibly demanding, tough, annoying and meddlesome, it becomes clear that she’s also a driven, fascinating person with a heart of gold. For many of these kids (who seem to have fractured families and difficult childhoods in common) she’s a teacher, surrogate mother, social worker and friend all in one. The focus is on three of her ambitious - and very photogenic - pupils whose shared goal is to win those scholarships in order to leave town as soon as possible.

If they withstand the strong disciplinary demands, the chances of a better future are high. On the first day Mrs. Stephenson proudly announces a dazzling amount of money that last year’s class earned in scholarships. Actually, the filmmakers tracked her down because of her success. As a founder of the non-profit organisation behind the cooking competition, Jennifer Grausman’s father would bring home inspiring stories about this notorious teacher from Philadelphia. Somehow each year her students snared a major share of the scholarships, excelling either in being well-prepared or writing highly moving personal application essays.

Here’s a documentary that definitely can be labelled ‘feel-good’; a subgenre we somehow hardly ever see on the festival circuit.

Gerdien Smit

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