Philipp Kaindl asked guests of Diagonale 2011 to reenact a scene of a film they had seen. Not many were brave enough to step in front of the camera after a day in the dark (i.e. in the audience), but here are the select few with reenactments of scenes in the following five films:
"Headshots" by Lawrence Tooley
"Instructions for a Light and Sound Machine" by Peter Tscherkassky
"Papa" by Umut Dag
"Mörderschwestern" by Peter Kern
and "Mouse Palace" by Hund & Horn
Many thanks to those who participated.
Video by Philipp Kaindl at Diagonale 2011, the festival of Austrian Film.
♦ Introduction
This blog is a place for all contributors of Nisimazine to continue to write, photograph, make video and discuss cinema together after the workshops. An extension of the magazine, this is a free space to keep sharing new insights and experiences through reviews, essays, quotes, interviews and festival reports. You can join any conversation by posting comments. So…, let’s go !
Wednesday 30 March 2011Film Scene Reenactment
By Philipp Kaindl (Austria), 30 March 2011 | Diagonale 2011 |Translations: [en]
Monday 28 March 2011Tape End
By Andreea Dobre (Romania), 28 March 2011 | Diagonale 2011 |Translations: [en]
Friday 25 March 2011Benefits and perils of the internet: How do short film and the web go together?
By Philipp Kaindl (Austria), 25 March 2011 | Diagonale 2011 |Translations: [en]
Benefits and perils of the internet: How do short film and the web go together? from NISI MASA on Vimeo.
What remains at the end of the day?
By Philipp Kaindl (Austria), 25 March 2011 | Diagonale 2011 |Translations: [en]
Three films in a day at the Diagonale, the festival for Austrian film in Graz. With short excerpts of Arman T. Riahi’s "Schwarzkopf", Nikolaus Geyrhalter’s "Abendland" and Lawrence Tooley’s "Headshots".
A day of watching one film after another at the Diagonale. What remains of the films I’ve seen?
In one instance, it’s a scene: In "Schwarzkopf", Arman T. Riahi’s debut feature documentary, the director portraits Austria’s disadvantaged "second generation" youth. Think of "La Haine", but (…)
A day of watching one film after another at the Diagonale. What remains of the films I’ve seen?
In one instance, it’s a scene: In "Schwarzkopf", Arman T. Riahi’s debut feature documentary, the director portraits Austria’s disadvantaged "second generation" youth. Think of "La Haine", but (…)
Thursday 24 March 2011Furcht und Zittern (Fear and Shivers)
By Andreea Dobre (Romania), 24 March 2011 | Diagonale 2011 |Translations: [en]
Imagine a person living in a cocoon of meds and positive statements. Suffering from agoraphobia, anxiety and panic attacks, Philipp only goes out to face the world with the safety kit in one hand and the therapist’s hand in the other. However, city life is a jungle he cannot control, and hell breaks loose during a trip to the pharmacy: after failing to shoot her cheating husband, Herta walks in with a gun and is taken as a robber. In the person of this blonde, fearless old lady, life takes (…)
Tuesday 22 March 2011Direct-to-DVD #2
By Geoffrey Crété (France), 22 March 2011 | Direct-to-DVD |Translations: [en]
For this second incursion into the fabulous world of Direct-to-DVD, the fourth film by Nicole Holofcener, after Friends With Money.
In France, we have so many female directors that it’s almost illogical to wonder about sexism in the cinema industry – I said almost, but it’s not the main subject right now. Across the Atlantic, it’s another story. Sofia Coppola, Kathryn Bigelow, Catherine Hardwicke, Nora Ephron, Mira Nair, Nancy Meyers, Amy Heckerling, Julie Taymor and the Australian Jane (…)
In France, we have so many female directors that it’s almost illogical to wonder about sexism in the cinema industry – I said almost, but it’s not the main subject right now. Across the Atlantic, it’s another story. Sofia Coppola, Kathryn Bigelow, Catherine Hardwicke, Nora Ephron, Mira Nair, Nancy Meyers, Amy Heckerling, Julie Taymor and the Australian Jane (…)
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