♦ Introduction
This blog is a place for all contributors of Nisimazine to continue to write, photograph, make video and discuss cinema together after the workshops. An extension of the magazine, this is a free space to keep sharing new insights and experiences through reviews, essays, quotes, interviews and festival reports. You can join any conversation by posting comments. So…, let’s go !
Editorial Nisimazine IDFA 2010 #1
By Bruno Carmelo (Brazil), 19 November 2010 | Editorials |Translations: [en]
When a visitor checks the catalogue for this year’s IDFA, it’s not only the huge amount of films that call the attention, but also the titles themselves: Albino United, My Avatar and Me, Village Without Women, How to Start Your Own Country… So many films about places we may have heard about, but not exactly for these reasons; or even themes we are familiar with, but not from this particular point of view. Believe me – there is much more to ecology than global warming, more to the Balkans than (…)
We’re off... to private lessons?
By Bas Voorwinde (The Netherlands), 19 November 2010 | IDFA 2010 |Translations: [en]
And we’re offff.
IDFA started today and it’s already at full speed with about a zillion films being shown every day.
We will submerge ourselves in the flow of images, sounds and impressions (cinematic/hallucinogenic or otherwise) during the next week to bring you all the best and worst from the festival in my lovely hometown.
Today Ruben and I went to see the opening film Position of the Stars (Stand van de sterren) and were already blown away by its wit, emotion, intensity and honesty. Not (…)
IDFA started today and it’s already at full speed with about a zillion films being shown every day.
We will submerge ourselves in the flow of images, sounds and impressions (cinematic/hallucinogenic or otherwise) during the next week to bring you all the best and worst from the festival in my lovely hometown.
Today Ruben and I went to see the opening film Position of the Stars (Stand van de sterren) and were already blown away by its wit, emotion, intensity and honesty. Not (…)


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