Headed by a true Francophile, Ilda Santiago, the festival has always been keen on French cinema. This year is no exception; a very special programme has been put together as part of the so-called “French Year in Brazil”, a cultural season which is celebrating French arts throughout the country. Two of the most emblematic women of French cinema are present in Rio. I would like to dedicate this editorial to them - as much as a film buff as a journalist.
Obviously I am referring to the director (…)
♦ Introduction
This blog is a place for all contributors of Nisimazine to continue to write, photograph, make video and discuss cinema together after the workshops. An extension of the magazine, this is a free space to keep sharing new insights and experiences through reviews, essays, quotes, interviews and festival reports. You can join any conversation by posting comments. So…, let’s go !
Wednesday 30 September 2009Editorial Nisimazine Rio #3
By Pierre–Anthony Canovas (France), 30 September 2009 | Editorials |Translations: [en] [pt]
Monday 28 September 2009Editorial Nisimazine Rio #2
By Jorge Robinet (Peru), 28 September 2009 | Editorials |Translations: [en] [pt]
With more than 300 movies shown from around the world, the guest list of the Rio Film Festival is pretty international. You can have breakfast with a young director from Japan, and in the night party with an Argentinean actor. One of the ideas of this festival and of film festivals in general is to allow people to meet and discover other cultures, on many levels. But is this really happening here in Rio?
During the opening party last Thursday the different delegations pretty much stuck (…)
During the opening party last Thursday the different delegations pretty much stuck (…)
Saturday 26 September 2009Editorial Nisimazine Rio #1
By Laslo Rojas (Peru), 26 September 2009 | Editorials |Translations: [en]
Welcome to the 2009 Rio Film Festival, and the very first Nisimazine to be published in Brazil. Our team, as part of NISI MASA, the European Network of Young Cinema, has diversity of origin as a trademark, with journalists coming all the way from Europe and also from nearby Latin America countries, like myself. Our magazine - distributed for free every other day to festival audiences and available here on www.nisimazine.eu - will focus mainly on work from young and talented new filmmakers. (…)
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