They’re young… they write dangerously. Something like the tagline of the film Bonnie and Clyde (1967: so close, but definitely far away).
If you ask me, this magazine is about trying to take some risks. Not only because the journalists making this bilingual gazette come from 8 different countries (can you figure out the linguistic headaches in the morning editorial meeting?), but also because their common trait is to be guided by passion; the contagious desire to share film – and life (…)
♦ Introduction
This blog is a place for all contributors of Nisimazine to continue to write, photograph, make video and discuss cinema together after the workshops. An extension of the magazine, this is a free space to keep sharing new insights and experiences through reviews, essays, quotes, interviews and festival reports. You can join any conversation by posting comments. So…, let’s go !
Sunday 18 May 2008Editorial Nisimazine Cannes 2008 #2
By Sebastiano Pucciarelli (Italy), 18 May 2008 | Editorials |Translations: [en] [fr]
Friday 16 May 2008Editorial Nisimazine Cannes 2008 #1
By Esra Demirkiran (Turkey), 16 May 2008 | Editorials |Translations: [en]
Young Storytellers
Every dialogue we have in our daily lives contains an element of storytelling. Films, in telling their particular stories, are also a dialogue between the audience and the filmmaker.
Some people - right after watching a film - like to comment and know others’ ideas on it. This motivation comes from both a pure passion for cinema and sensitivity towards the state of the world. Even fictions are a kind of document of their time.
It is thus not only the films themselves (…)
Every dialogue we have in our daily lives contains an element of storytelling. Films, in telling their particular stories, are also a dialogue between the audience and the filmmaker.
Some people - right after watching a film - like to comment and know others’ ideas on it. This motivation comes from both a pure passion for cinema and sensitivity towards the state of the world. Even fictions are a kind of document of their time.
It is thus not only the films themselves (…)
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