Jeden Svet Bratislava 2011

Articles

• "Films give me an excuse to be naughty" [fr]
• Afgánski tanečníci, Jamie Doran [sk]
• Alka Sadat, Director of Half Value Life (Afghanistan) Interview [en]
• Barbershop Punk, by Georgia Archer & Kristin Armfield [en]
• Budrus, Julia Bacha (Israel/Palestine/USA) [en]
• Burmese Resistance: Action over Heroism [en]
• Disease of the Third Power, by Zuza Piussi [en]
• Donetsk The Other Chelsea, a bit more than football [fr]
• Editorial Nisimazine Jeden Svet #1 [en]
• Editorial Nisimazine Jeden Svet #2 [en]
• Editorial Nisimazine Jeden Svet #3 [en]
• Editorial Nisimazine Jeden Svet #3 [fr]
• Editorial Nisimazine Jeden Svet #4 [en]
• Editorial Nisimazine Jeden Svet #5 [en]
• Editorial Nisimazine Jeden Svet #5 [de]
• Editorial Nisimazine Jeden Svet #6 [en]
• Faramarz Beheshti, Director of Salam Rugby Interview [en]
• Filmmakers and activists : Wael Omar (Egypt) [fr]
• Future of Hope, by Henry Bateman [en]
• Ghost in the Machine, by Robert Kirchhoff [en]
• Ghost in the Machine, Robert Kirchhoff [de]
• Girls in Bratislava One World [en]
• GLBTIQ Cinema with Mária Takács [fr]
• How to avoid Talking Heads in Documentary? [en]
• In the Name of the Family, by Shelley Saywell [en]
• Inside Disaster, Haiti , by Nadine Pequeneza [en]
• Inside Disaster, Haiti , Nadine Pequeneza [fr]
• Jakob Preuss, Regisseur The Other Chelsea Interview [de]
• Jakob Preuss, Director of ’The Other Chelsea’ Interview [en]
• Jeden Svet Bratislava 2011, by Lucille Caballero [en]
• Kapitalism - Our Improved Formula , by Alexandru Solomon [en]
• Kapitalism - Our Improved Formula, Alexandru Solomon [de]
• Mária Takács, režisérka filmu Utajované roky Interview [de]
• Mária Takács, Director of Secret Years Interview [en]
• Nora Beňáková, Festival Director Jeden Svet Slovakia Interview [en]
• Poster Girl, Sara Nesson, USA [en]
• The Dancing Boys of Afghanistan, by Jamie Doran [en]
• The earth giveth, the corporations taketh away: The curse of rich soil [en]
• The Green Wave , Ali Samadi Ahadi (Iran) [en]
• The Red Chapel, by Mads Brügger [en]

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